Wednesday, December 10, 2008

Ready for the last block!

Well, it has taken me three days to get to this point and now I will rest! I am leaving the final key block (brown outline of the persimmons) for my demonstration on Saturday. Not much is left to the imagination at this point though and these are intriguing without the outline but I'm hoping the outline with "seal the deal so to speak". Hopefully, I can print the titles for these on Sunday but that is if all goes well. This past Saturday I only had time for one impression although I had intended on doing three. In the middle of printing, I got a phone call from my brother in-law asking me if I would attend his wife's birthday party that night. Well, I very well couldn't miss that. She is carrying triplets and you have to give it up for a lady that can do that!
The first impression was a wash made of nori and a golden yellow. It was pale just like the under wash of the painting.

On Sunday, I started the first bokashi again with the golden yellow wash (which was barely noticeable, bleh). For reasons I can't remember, I then printed the light blue parts of the geometric background. I think the light colored shapes were messing with my head and I needed the blue to feel more grounded. After I printed the light brown colored calyx, I called it a night. I had carved little highlight dots in the calyx block to give some contrast. They were very tiny and I knew they would be hard to print. Some came out and some did not but it really didn't matter to me. My paper was still wet when I left on Sunday night and I stayed home on monday but I had turned the thermostat back in my studio so that it would remain cool. I don't worry about mold taking place in the winter but paper disintegration was another matter all together. But when I returned on Tuesday all was well. I think I had sixty some sheets of paper printed up and I started out looking at them like "Ugh, my back is killing me but here we go."

I printed the golden yellow bokashi and then a strong orange and the fruits really started to glow off the page. It was a wonderful experience! Another bokashi of burnt orange and the cobalt geometric background and I have reached the point that is pictured above. I could barely feel my legs and tail bone after that though. My studio is entirely on concrete and I had to stretch constantly while printing to keep my joints from fusing. I recommend Sam & Dave or Aretha Franklin to set the speed! Now, I know someone is just dying to point out that I need to make one of those nifty little tables to print at and I will not deny that it is on my wish list but 1. I need sharpening stones before that 2. there is no more room left in my studio and lastly and chiefly 3. my clutch gave out in my '98 Honda so ain't nobody gett'n nuth'n for christmas this year.

1 comment:

d. moll, said...

Jumpin' persimmons! those look great. I think stretching is so important during printing (or anything artistic) we get so involved in work and the body can suffer. My chiro gave me a a bunch of stretches of neck, upper back, hands, elbows etc.......